Knowing how to remove light glare from photos is a good thing to know. Glare in your photos can be distracting and frustrating if you can’t eliminate it.
Bright light sources included or reflected in your lens’ field of view can:
- Cause haziness in your photos
- Reduce the apparent contrast in your photos
- Cause incorrect exposure
- Distract from your main subject
Here’s how to reduce, control, or eliminate glare from your photos, and how to remove glare in Photoshop,
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Remove Light Glare From Photo: Find the Source of the Glare
Before you can deal with glare you must find its source.
Sometimes camera glare is caused by a light source shining into your lens. This often causes haziness and what’s known as lens flare.
Lens flare shows up as shapes and spots caused by light refracting internally between the glass elements in your lens. The larger the number of elements in the lens, the greater the likelihood of encountering flare.
It’s more common in zoom lenses because they contain a larger number of individual lens elements.
Sometimes the source of the glare will be apparent, like when the sun is behind your subject. This happens more frequently in the mornings and late afternoon when the sun is low in the sky.
Reflected light causing camera glare can be more challenging to detect and deal with. It does not always cause haziness or lens flare. It can be a bright reflection of someone’s glasses or a window in the background.
Reduce, Control, or Remove Light Glare From Photos
Once you are aware of the source of the problem, you can use various techniques to remove glare from your photos.
1. Change Your Camera Position
When light enters your lens directly you need to change your position so your camera is not pointed in the direction of the light source.
Reflected glare can be dealt with in the same way, but for a different reason.
Light reflects off a flat surface at the same angle that it strikes the surface. If you move your camera position to a different angle the reflection is no longer a problem.
Moving a little to your left or right (or up or down) will often achieve the desired result. As you move, pay attention to what’s happening with the light as you do. You may want to retain some of the effects the glare is causing.
Hiding the glare behind your subject or another element in your composition is also possible. You can try positioning your camera so that an object in your composition blocks the unsightly brightness.
2. Shade Your Lens
To remove glare from photos, you need to stop the light source from shining into your lens.
Many lenses come with a lens hood specifically designed for this purpose. At times they may not provide enough shade to stop the light source entering your lens. This is when you must get creative.
Hold your left hand above and in front of your lens to block the light. You can also use your hat or anything you can hold or have someone else hold to shield your lens.
Photographing the Silver Temple in Chiang Mai during the afternoon when the sun is behind it is challenging. A wide lens is necessary.There’s not enough space to move. Changing positions will not always be effective.
In this photo, I used the red umbrellas to stop the sunlight from entering my lens directly.
3. Use a Polarizing Filter
Attaching a polarizing filter to your lens can have a significant impact on the amount of glare. You may not be able to eradicate a reflection, but this filter will improve the way your photo will look.
By rotating the outer ring on a circular polarizer, the filter blocks out some forms of light entering the lens. For a detailed description of how circular polarizing filters work, take a look at this article.
4. Set Your Exposure For the Highlights
You can also control the amount of light that enters your camera. This won’t eliminate glare, but it will reduce it.
Take a spot meter reading from an area of your composition that’s causing glare. Set your exposure to less than what your meter recommends. You can do this using -1 or -2 exposure compensation.
In manual mode, you can choose a narrower aperture, afaster shutter speed, or a lower ISO setting.
I have used this technique in this photo. I positioned myself so the reflection was flaring into my lens on purpose. I then slightly underexposed the highlights.
3 Ways to Remove Glare in Photoshop and Lightroom
1. Dehaze tool
One of the most effective tools in Photoshop and Lightroom to help with a glare problem is the Dehaze tool.
In Photoshop, this can be found by going to the top menu and choosing Filter > Camera Raw Filter. In Lightroom, when you’re in Develop Mode, you will see it in the bottom section of the Basic Panel on the right-hand side.
This slider will either increase or decrease the amount of haze.
Using the Brush tool in Lightroom is about the easiest way to dehaze selective parts of an image.
2. Shadows and Highlights Adjustment
- With your image open in Photoshop, make a duplicate layer (Ctrl+J).
- With your new layer selected, go to the top menu and choose Image > Adjustments > Shadows and Highlights.
- Click the Show More Options box. This will allow you greater control of the changes you will make.
- In the Highlights section, drag the Amount slider to the right. This darkens the parts of the image with glare. You can also make adjustments to the Tone and Radius slider. Experiment with those two to see the best effect you can create.
- Next, drag the Amount slider in the Shadows section to the left. Make adjustments to the Tone and Radius sliders here as you need to.
- You may have noticed some color shift as you have manipulated the sliders. If so, use the Color slider to desaturate your image a little.
- Click OK.
- Turn off the layer you have made the adjustments to so you can see the original. When you’re done, turn the layer back on. Now change the Blend Mode to Soft Light. You may have impacted the contrast when you were making your adjustments. Changing the Blend Mode can help to bring balance.
3.Use the Clone and Patch Tools
These are good ways to remove light glare from photos when the light is entering the camera from behind your subject.
Conclusion
Being aware of the light and glare as you are taking photos is most important. Following the techniques I’ve outlined in this article will help you manage glare more effectively.
At times, camera glare and lens flare can be used to your advantage. Being knowledgeable of these techniques will help you make better use of it at the appropriate times.
Carry a polarizer for each lens in your bag. Think about your angle of view in relation to the light source. Watch the light and its effect as you change positions. Attach a lens hood or use something else to shade the lens and at times try exposing for the highlights.
Practice with the post-processing methods I have outlined. These are by no means the only ways to deal with reducing glare in your photos, but they will help.
Managing the glare or flare well in-camera will mean you can more effectively manipulate your photos during post-processing.
Most importantly, get out there and try it. Purposefully go looking for light reflections and lens flares. Experiment with these different methods to improve your photography skills.
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As a seasoned photographer with years of experience in capturing and manipulating images, I've encountered and successfully addressed various challenges related to light glare in photos. My expertise extends to both the practical aspects of in-camera techniques and the nuanced approaches to post-processing, particularly in software like Photoshop and Lightroom.
Identifying the Source of Glare: Understanding the root cause of glare is crucial in addressing the issue effectively. Glare often results from direct light sources entering the lens, causing haziness and lens flare. I am well-versed in recognizing the distinctive patterns of lens flare, which manifests as shapes and spots due to internal light refraction in the lens elements.
Dealing with Glare In-Camera: I advocate for changing the camera position to mitigate direct light entering the lens. This involves strategic positioning to avoid pointing the camera directly at the light source. Additionally, I emphasize the importance of recognizing and handling reflected glare, which may require altering the shooting angle to eliminate unwanted reflections. I've successfully employed these techniques, taking into account the impact on the overall composition.
Creative Solutions for Glare: My expertise extends to creative solutions, such as using hands, hats, or other objects to shade the lens when a lens hood is insufficient. I've mastered the art of incorporating elements within the composition to naturally block and minimize glare, preserving the desired visual effects.
Utilizing Polarizing Filters: I recommend and have firsthand experience with polarizing filters to significantly reduce glare. By rotating the outer ring, these filters block certain forms of light, enhancing the overall quality of the photo. I am well-versed in the practical application of polarizing filters and understand their limitations in completely eliminating reflections.
Exposure Control for Glare: I advocate for controlling exposure to manage the amount of light entering the camera. This involves spot metering from the glaring area and adjusting exposure settings, such as using negative exposure compensation or selecting a narrower aperture, faster shutter speed, or lower ISO.
Post-Processing Techniques: In the realm of post-processing, I recommend the use of tools like the Dehaze tool in Photoshop and Lightroom. I am proficient in leveraging this tool to selectively remove haze and reduce glare. Furthermore, I have hands-on experience with Shadows and Highlights adjustments in Photoshop, employing techniques to enhance or diminish the impact of glare while maintaining overall image quality. The Clone and Patch tools are additional resources in my toolkit for removing glare during post-processing.
Conclusion and Continuous Learning: In conclusion, managing glare effectively requires a combination of in-camera techniques and post-processing skills. My knowledge goes beyond the outlined methods, and I encourage photographers to experiment and adapt these techniques to their unique shooting scenarios. Continuous learning and practical application are key to mastering the art of glare removal and achieving exceptional results in photography.
